French artist Ladji Diaby has opened his first solo exhibition, titled “Who’s Gonna Save the World,” at Galerie Lafayette Anticipations in Paris [1, 2, 3].

The exhibition marks a significant debut for the artist, born in 2000 [4], and positions his work within the center of the French contemporary art scene. By transforming found furniture into large-scale installations, Diaby uses the gallery space to challenge viewers with questions regarding resistance and global salvation [2, 3].

Diaby's process involves the repurposing of discarded domestic objects. He converts these common items into artistic installations that serve as a commentary on who is responsible for the future of the world [2, 3]. The work seeks to bridge the gap between the mundane nature of furniture, and the urgency of social and political resistance.

The exhibition is hosted at Galerie Lafayette Anticipations, a venue known for supporting emerging talent in the city. The show is open to the public daily from Wednesday through Saturday and Sunday, between 11 h and 19 h [2].

Visitors can access the exhibition for free until July 19, 2026 [3]. The timing of the show coincides with a feature on France Inter’s “Nouvelles têtes,” which highlights new voices and emerging figures in the arts [1].

Diaby's approach to material—specifically the use of found objects—reflects a growing trend in contemporary art toward sustainability and the critique of consumerism. Through these installations, he transforms the domestic sphere into a site of political inquiry, asking the audience to consider their own role in a changing world [2, 3].

“Who’s Gonna Save the World”

The elevation of a Gen Z artist to a solo show at a prestigious Paris venue like Galerie Lafayette Anticipations signals a shift toward art that blends domesticity with political activism. By utilizing found objects, Diaby aligns himself with a tradition of 'arte povera' while updating the dialogue to address modern anxieties about global collapse and the necessity of individual resistance.