Fashion enthusiasts and tailors in Kinshasa are reviving the "abacost" jacket, a collarless garment originally popularised by former president Mobutu Sese Seko [1].
The resurgence of the garment represents a shift in how the Democratic Republic of Congo views its complex history. By reclaiming a piece of clothing once tied to a specific political regime, designers are transforming a tool of state mandate into a modern expression of Congolese identity.
The abacost first gained prominence in the 1970s [1]. At that time, the jacket was promoted as a rejection of Western-style suits, serving as a visual manifestation of the state's desire to distance itself from colonial influences. The garment was designed to be a distinctively African alternative to the European business suit.
This fashion revival is occurring roughly 30 years after the fall of Mobutu in 1997 [2]. In the markets and ateliers of Kinshasa, the jacket is being reimagined for a new generation. Modern tailors are blending the traditional collarless silhouette with contemporary fabrics, and styles to appeal to younger citizens who did not experience the era of the original mandate [1].
The movement is driven by a blend of cultural nostalgia and a desire to establish a modern fashion identity [1]. For many in the capital, the abacost is no longer viewed solely through the lens of the former president's rule; it is now seen as a historic symbol of Congolese heritage [2].
As the trend grows, the garment continues to serve as a bridge between the past and the present. The shift from a political requirement to a stylistic choice reflects a broader trend of reclaiming historical artifacts to build a national aesthetic [1].
“The abacost first gained prominence in the 1970s.”
The return of the abacost signifies a process of cultural decoupling, where the aesthetic value of a garment is separated from the political legacy of its creator. By repurposing a symbol of the Mobutu era, Congolese fashion designers are asserting a form of cultural autonomy that honors national heritage while distancing the style from the authoritarianism of the 20th century.





