The Delhi Art Gallery has opened a landmark exhibition titled "Princes & People of India: Portraits by Emily Eden" in New Delhi [1].
This collection provides a rare visual record of 19th-century India, blending artistic portraiture with historical archives to challenge traditional narratives of the colonial era. By centering the work of Emily Eden, the exhibition offers a fresh lens through which to view the intersection of royal power and colonial influence.
The exhibition opened July 10, 2026 [2]. Curated by Mary Ann Prior, the showcase features a variety of portraits and paintings created by Eden, who documented the royal figures and the general populace of India during the 1800s [1]. The Delhi Art Gallery organized the event to celebrate Eden's specific contributions to the visual history of the region [3].
Prior's curation emphasizes the role of these archives in uncovering untold stories of India's royal past. The works on display serve as primary source material, capturing the likenesses, and social standings of figures who shaped the political landscape of the 19th century [3]. Because the exhibition combines paintings with written archives, it allows visitors to correlate visual evidence with historical documentation [1].
The focus on Emily Eden's work highlights the often-overlooked role of female artists in documenting colonial societies. Her portraits do more than record faces; they capture the tension and luxury of the royal courts during a period of significant transition [2]. The gallery said the exhibition is intended to act as a bridge between modern viewers and the complex social hierarchies of the past [3].
By bringing these records to the public, the Delhi Art Gallery aims to foster a deeper understanding of the nuances of colonial India. The exhibition remains a centerpiece for those studying the royal history of the subcontinent and the evolution of portraiture in the 19th century [1].
“The exhibition offers a fresh, untold perspective on India’s royal past through art and archives.”
The exhibition signals a shift toward using gender-specific colonial archives to reconstruct historical narratives. By elevating the work of Emily Eden, the Delhi Art Gallery moves beyond official state records to explore the personal and social dimensions of 19th-century royalty, providing a more textured understanding of colonial-era power dynamics.



