Jackie Chan began filming the fourth installment of the "Armour of God" series, titled "Armour of God: Ultimatum," in Kazakhstan on July 23 [1].

The production marks a significant return to one of Chan's most enduring franchises, reviving a series that has seen a long hiatus between entries. This project signals a continued effort to blend high-budget international action with diverse global landscapes.

Production is currently taking place across the Almaty and Mangystau regions of Kazakhstan [2]. These locations were selected specifically for their varied scenery, which provides the visual scale required for the series' adventure-driven plot. Producer Igor Tsay said the country was chosen for its diverse locations [3].

This new film is the fourth entry in the series [4]. The production arrives 14 years after the release of the previous film in the franchise [5]. The "Armour of God" series has historically combined martial arts with treasure hunting, and global travel, and this installment continues that tradition by moving the action to Central Asia.

The choice of Kazakhstan reflects a broader trend of major film productions seeking untapped locations to provide fresh visual contexts for action cinema. By utilizing both the mountainous terrain of Almaty and the unique landscapes of Mangystau, the production aims to create a distinct aesthetic for the sequel.

Chan continues to lead the project as the primary star, maintaining the central role that has defined the series since its inception. The production team is leveraging the regional geography to facilitate the complex stunt work and expansive set pieces associated with the franchise.

“Jackie Chan began filming the fourth installment of the "Armour of God" series”

The revival of the 'Armour of God' series after 14 years suggests a strategic move to capitalize on nostalgic franchise value while expanding the reach of Asian cinema into Central Asian markets. By filming in Kazakhstan, the production not only gains access to diverse topography but also strengthens cinematic ties between the East Asian film industry and the developing production hubs of the Steppe.