Dancer Leïla Ka said she chose dance because it allowed her to avoid speaking [1].

This revelation highlights the role of non-verbal communication in the performing arts and the personal motivations that drive artists toward specific mediums of expression.

In a video produced by ARTE, Ka said the origins of her artistic path. She described dance as a practical solution for someone who did not wish to rely on spoken language to convey meaning or emotion. "J'ai choisi la danse parce que ça m'arrangeait de ne pas parler !" she said [1].

The preference for movement over speech often characterizes the intersection of physical theater and contemporary dance. By removing the requirement for verbal dialogue, performers can access a different set of emotional tools to engage with an audience. Ka's approach suggests a strategic use of silence as a creative asset rather than a limitation.

Throughout the interview, the focus remained on the intentionality behind her movements. The choice to bypass speech allows for a more universal form of storytelling that transcends linguistic barriers. This method enables the artist to communicate complex internal states without the constraints of vocabulary, or grammar.

Ka's perspective reflects a broader trend in the arts where silence is utilized as a primary tool for narrative. By centering her practice on the body, she establishes a direct connection between the performer and the observer—one that is not mediated by words.

"J'ai choisi la danse parce que ça m'arrangeait de ne pas parler !"

Ka's statement underscores the function of dance as a sanctuary for those seeking alternative modes of communication. In a professional landscape often dominated by verbal articulation, her reliance on physical expression emphasizes the capacity of the body to serve as a primary linguistic tool.