Actress Gul Panag said the ban on the film *Satluj* is counterproductive and only serves to fuel public curiosity [1].

The controversy highlights the tension between artistic expression and government censorship in India. Panag's criticism suggests that restricting access to cinema often politicizes the medium and creates more interest in the forbidden content than if it had remained available.

The film, produced by actor Diljit Dosanjh, faced a swift removal from the streaming platform ZEE5 two days after its release in India [3]. This action sparked a broader debate about the necessity of censorship in the region.

Panag said such bans are an ineffective tool for control. She said that banning films is always counterproductive [2]. According to Panag, the act of censorship transforms a piece of art into a political statement, which can inadvertently draw more attention to the themes the authorities wish to suppress [1].

Addressing the regional context of the film, Panag connected the censorship to perceptions of loyalty and national identity in Punjab. She said that Punjab shouldn't have to defend its patriotism [3].

Panag said the state's political history demonstrates a commitment to the national framework. She said that Punjab has repeatedly rejected separatism through democratic elections [2]. By citing this democratic record, Panag suggested that the government's fear of the film's impact is unfounded and that the people of Punjab have already expressed their political will through the ballot box [2].

Throughout the dispute, Panag has maintained that the restriction of the film does not protect the public but instead creates a vacuum of information that is often filled by speculation [1].

Banning films is always counterproductive.

The removal of *Satluj* from digital platforms reflects an ongoing struggle in India between state security concerns and freedom of speech. By framing the ban as an affront to Punjab's democratic record, Panag is shifting the argument from a matter of content regulation to one of regional trust and political identity.