The Library of Congress added recordings by Beyoncé, Taylor Swift, and the video-game DOOM to the National Recording Registry on May 14 [1].
These selections ensure the preservation of audio works deemed to have lasting impact on the American experience. By archiving these recordings, the U.S. government protects a diverse range of artistic expressions from physical or digital decay.
The Registry selects 25 recordings each year [2]. The 2026 class includes a wide array of genres, ranging from contemporary pop stars to the original cast recording of the musical Chicago [1]. Other artists recognized in this cycle include Vince Gill, Paul Anka, Spike Jones, José Feliciano, Chaka Khan, and Weezer [1].
This year's list is notable for its inclusion of gaming culture via the DOOM soundtrack [1]. The addition of such a work reflects an evolving definition of what constitutes a significant American recording, moving beyond traditional music to include interactive media.
The Library of Congress said the registry preserves the “defining sounds” of American history and culture [3]. The institution said it selects works based on whether they are culturally, historically, or aesthetically significant [1].
These recordings are stored in Washington, D.C., where they are kept for future generations [1]. The process involves public nominations and a rigorous review to identify the most impactful sounds of the era [1].
“The registry preserves the “defining sounds” of American history and culture.”
The inclusion of a video-game soundtrack alongside global pop icons and Broadway classics signals a shift in how the U.S. government defines cultural heritage. By elevating DOOM to the same status as legendary musical recordings, the Library of Congress acknowledges that digital entertainment is now a primary driver of American aesthetic and historical identity.
