French artist Lassana Sarre is currently showcasing his work across two exhibitions in Paris [2].
Sarre's presence in the capital's art scene highlights a growing dialogue regarding the intersection of identity and visibility. By securing space in both a major public institution and a private gallery, the artist brings attention to the social and metaphysical aspects of being unseen.
Sarre, who was born in 1994 [1], is a plastic artist of Senegalese origin. He recently appeared on the "Nouvelles têtes" podcast produced by France Inter to discuss his creative process and the philosophical foundations of his current projects [3].
The artist is presenting two distinct shows in Paris [2]. One exhibition, titled "Globale Inversion Inversion," is hosted at the Palais de Tokyo [3]. The second exhibition, "Le pouvoir des nôtres," is located at Galerie Polaris [2].
Central to Sarre's work is the concept of the unseen. He uses his art to challenge how observers perceive the world and those who inhabit it. The duality of his approach focuses on both the spiritual and the social dimensions of existence.
"J'ai souhaité parler autant de l'invisible que de l'invisibilité des agents," Sarre said [2].
Through this exploration, Sarre examines how certain individuals or forces are rendered invisible by societal structures. The work at the Palais de Tokyo and Galerie Polaris serves as a visual manifestation of these themes, bridging the gap between the tangible and the intangible.
“"J'ai souhaité parler autant de l'invisible que de l'invisibilité des agents,"”
Sarre's dual exhibitions at the Palais de Tokyo and Galerie Polaris represent a strategic positioning within the French art world, blending institutional prestige with commercial gallery visibility. His focus on 'invisibility' reflects a broader contemporary artistic trend of using abstract and plastic arts to critique systemic erasure and the marginalization of specific identities.
