UNESCO’s advisory body ICOMOS has recommended the inscription of the Asuka-Fujiwara Palace City as a World Cultural Heritage site [1].
The recommendation recognizes the sites as critical evidence of the early Japanese state and the introduction of Buddhism to the region. This designation would elevate the global profile of Nara Prefecture's archaeological landscape and preserve its historical integrity.
The proposed property consists of 19 archaeological sites [1]. These include the Asuka-dera, the first temple in Japan, as well as the Kitora Kofun and Takamatsuzuka Kofun [1, 2]. The collection represents a historical span from the late sixth century to the early eighth century [1].
ICOMOS issued the recommendation in early June 2024 [1]. The advisory body said that the property possesses outstanding universal value due to its unique archaeological features, such as painted kofun burial mounds [1, 4].
If the inscription is approved, Japan's total number of World Heritage sites will increase to 22 [1]. The World Heritage Committee is scheduled to meet in July 2024 in Busan, South Korea, to consider the final decision [1].
There is some discrepancy regarding the final timeline for registration. While some reports indicate the formal inscription is expected at the July 2024 meeting in Busan [1], other sources suggest the government aims for registration in the summer of 2025 [2].
Local officials expressed enthusiasm regarding the news. A Nara Prefecture official said, "Anyway, I am happy" [2]. The Japanese government previously submitted the nomination to UNESCO following a cabinet decision [2].
“ICOMOS recommends the inscription of Asuka-Fujiwara Palace City as a World Cultural Heritage site.”
The potential addition of the Asuka-Fujiwara Palace City to the UNESCO list would solidify Japan's narrative of early state formation and its cultural pivot toward Buddhism. By grouping 19 distinct sites into a single property, Japan is emphasizing the interconnectedness of early administrative and religious centers rather than treating them as isolated monuments.
