Street artist Banksy said he created a new statue of a man blinded by a flag in central London [1].

The installation places a contemporary critique of nationalism directly alongside traditional monuments of power and service. By inserting a modern, subversive work into a space reserved for state-sanctioned history, Banksy challenges the permanence and narrative of public memorials.

The statue appeared in the early hours of Wednesday, May 1, 2026 [1]. It depicts a man in a suit striding forward, though his vision is obstructed by a flag [1], [2]. The work was placed on a traffic island at Waterloo Place [1], [2].

This specific location is notable because the new figure joins two existing statues [1] — those of King Edward VII and Florence Nightingale [1], [2]. The contrast between the blindfolded suited man and the celebrated figures of royalty and nursing creates a jarring visual juxtaposition in the heart of the city.

While some reports suggested the work appeared as early as April 30, verified records indicate the installation occurred on May 1, 2026 [1]. The artist's confirmation follows the discovery of the piece by commuters and tourists in the Waterloo area [2].

Banksy has a history of utilizing public spaces to comment on political and social issues. This latest work continues that trend by using a three-dimensional form rather than his signature stencil style. The placement in a high-traffic area ensures maximum visibility for the piece, mirroring the sudden and unauthorized nature of his previous global interventions [2].

The statue depicts a man in a suit striding forward, though his vision is obstructed by a flag.

The installation represents a strategic use of 'guerrilla art' to critique institutional blindness. By placing a figure blinded by national symbolism next to a king and a pioneer of nursing, Banksy highlights the tension between national identity and the reality of governance. The act of placing the statue in a restricted public space also underscores the artist's ongoing challenge to the ownership and curation of urban environments.