British pop superstar Charli XCX toured the Hollywood Forever Cemetery in Los Angeles to discuss her upcoming album, “Music, Fashion, Film” [1].
The interview marks a pivotal moment for the artist as she navigates the cultural aftermath of her previous work. By reflecting on her trajectory in a setting associated with legacy and finality, the singer connects her current creative ambitions with the lasting impact of her career.
The discussion took place for a Rolling Stone cover story published during July/August 2024 [1]. During the walk through the cemetery, the singer addressed her acting career and the specific sonic direction of her next project. “Music, Fashion, Film is not a rock record,” Charli XCX said [1].
This new project follows the release of her album “Brat” in 2024 [2]. The singer used the conversation to explore the intensity of her commitment to her craft and the intersection of different art forms. “I Don't Fucking Have Hobbies. This is My Life,” Charli XCX said [2].
The choice of Hollywood Forever Cemetery as a backdrop served as a visual metaphor for the evolution of her public persona. The artist detailed how her experiences in music, fashion, and film are intertwined, creating a multidisciplinary approach to her celebrity. She noted that the transition from the era of “Brat” to her new material involves a shift in how she views her artistic output and her role in the industry [1, 2].
““Music, Fashion, Film is not a rock record.””
Charli XCX is intentionally positioning her brand as a multidisciplinary entity rather than just a musical act. By explicitly linking music, fashion, and film, she is expanding her intellectual property across different media, leveraging the viral momentum of her 2024 work to establish a more permanent, cross-industry legacy.
