The Chichibu region in Saitama Prefecture is hosting a rare opening of 34 temples to reveal hidden Kannon statues [1].

This event, known as the “午歳総開帳,” occurs only once every 12 years [2]. It transforms the entire region into a series of blessing spots, drawing a diverse crowd of international visitors and elderly pilgrims seeking spiritual renewal.

The special opening officially began March 18, 2026 [3]. Because the statues are normally kept hidden from public view, the current window provides a rare opportunity for visitors to experience the full scale of the pilgrimage. The event continues to attract crowds as of this week.

International interest has grown, with visitors traveling from as far as Australia and France [1]. One Australian visitor said they came specifically to see the 34 Kannon statues of Chichibu [1]. A visitor from Avignon, France, was also among the pilgrims documented at the sites [1].

Senior travelers are also frequenting the route. One female senior pilgrim said that visiting various locations in Chichibu makes her feel as though various fatigues are lifted [1].

The pilgrimage is accessible via limited-express train from Tokyo's Ikebukuro station, with a travel time of approximately 1.5 hours [1]. The 34 participating temples are spread throughout the Saitama countryside, encouraging visitors to explore the broader regional landscape [1].

Local organizers said that the ceremony is designed to offer blessings to those who complete the circuit [2]. By opening all 34 temples simultaneously, the region boosts tourism, and preserves the traditional religious practices associated with the 12-year cycle [2].

“The “午歳総開帳” is a traditional ceremony held once every 12 years.”

The Chichibu pilgrimage demonstrates the intersection of traditional Japanese spirituality and modern tourism. By leveraging a rare, time-limited event, the Saitama region attracts high-value international visitors and domestic seniors, effectively turning a religious rite into a regional economic driver while maintaining the cultural integrity of the 12-year cycle.