The animated debut film "In Waves" became the first animated movie to open the International Critics’ Week section of the Cannes Film Festival [1].
This milestone marks a significant shift in how the festival recognizes animation, traditionally a medium often sidelined in high-profile opening slots. By leading the International Critics’ Week, the film elevates the visibility of animated storytelling within the competitive European cinema circuit.
Directed by Vietnamese graphic artist and director Phuong Mai Nguyen, the film premiered Wednesday morning in Cannes, France [3]. The project is an adaptation of a graphic memoir that explores the themes of a surfer's grief [1].
Nguyen developed the story drawing from her own personal connection and love for California [1]. The narrative transforms the internal struggle of loss into a visual experience, utilizing animation to capture the emotional weight of the original memoir [2].
Critics said the film has a stylish approach to the subject of teen tragedy [3]. The production blends the aesthetic of a graphic novel with the fluid motion of animation to depict the intersection of surfing, and mourning [2].
As the first animation to hold this specific opening position, "In Waves" sets a precedent for future independent animators seeking recognition at one of the world's most prestigious film festivals [1].
“The first animated film ever to open the International Critics’ Week section.”
The selection of an animated feature to open the International Critics’ Week signals a growing acceptance of animation as a sophisticated medium for adult drama rather than just family entertainment. By bridging the gap between graphic memoirs and cinematic premieres, Nguyen's work highlights the increasing influence of cross-media storytelling in global cinema.
