Journalist Jigyasa Mishra has opened an art exhibition in New Delhi that transforms her professional reporting on human trafficking into visual art [1].

This transition from journalism to art allows for a different form of storytelling regarding one of the most severe human rights violations. By moving beyond the written word, the exhibition seeks to evoke an emotional response and provide a tangible representation of systemic abuse.

The display features a variety of mediums, including paintings, photographs, and installations [1]. These works serve as a visual record of the experiences Mishra encountered while covering the complexities of trafficking networks and the lives of survivors.

"The exhibition is a culmination of years spent reporting on human trafficking, and I wanted to find a way to translate that experience into something tangible," Mishra said [1].

The collection reflects the intersection of investigative journalism and creative expression. Each piece is designed to capture the nuances of the reporting process and the harrowing realities of the subject matter, elements that are often difficult to convey through standard news reporting alone.

By utilizing installations and photography, the exhibition creates an immersive environment for visitors in New Delhi. This approach aims to bridge the gap between the distant reality of trafficking and the observer's immediate perception [1].

The exhibition features paintings, photographs, and installations.

This exhibition represents a shift toward 'artivism,' where journalists use non-traditional media to maintain public attention on chronic social issues. By converting data and testimony into visual installations, the work attempts to bypass 'compassion fatigue' associated with repetitive news cycles on human trafficking.