The band Judiciary has announced a new EP titled *Stalagmite Angels* [1] and released the accompanying single "Wall Of Skulls" [2].

This release serves as a promotional push for the group as they prepare for upcoming tour dates alongside metal heavyweights Killswitch Engage and Machine Head [3]. By debuting new material before these high-profile shows, the band aims to build momentum and expand its audience within the hardcore and metal scenes [1].

The new track "Wall Of Skulls" is designed to showcase the band's specific sonic identity. The song is described as a perfect example of the way Judiciary inject devilish metal riffage into their hardcore fury [4]. This blending of genres is a hallmark of the band's current direction, combining the aggressive energy of hardcore punk, and the complex structures of heavy metal [4].

Industry reactions to the new material have been aggressive. One reviewer said that if listeners are not already banging their head to the song, they are "fucking up" and should fix it [5]. The release of *Stalagmite Angels* [1] marks a significant step in the band's discography, positioning them as a rising force in the underground circuit just as they enter a larger touring platform [3].

While the specific dates and venues for the tour remain tied to the schedules of Killswitch Engage and Machine Head, the timing of the EP release ensures that the band has fresh material to perform during their sets [3]. The synergy between the new recording and the live tour is intended to maximize the group's visibility during a critical growth phase [1].

"Wall Of Skulls" is a perfect example of the way Judiciary inject devilish metal riffage into their hardcore fury.

The timing of this release indicates a coordinated effort to leverage the visibility of a major tour. By pairing a new EP with support slots for established acts like Killswitch Engage and Machine Head, Judiciary is attempting to convert a larger, mainstream metal audience into a dedicated hardcore fanbase.