Musician and singer-songwriter Laufey created a self-portrait sculpture of herself in a new video project with Vanity Fair [1].

The project highlights the intersection of visual art and musical identity, showcasing how artists use different mediums to process their self-perception. By stepping away from audio composition to engage in physical sculpture, Laufey examines the tangible aspects of her image.

During the process, Laufey focused on her personal definition of beauty [1]. The exercise served as a reflection on her identity and the specific traits that define her appearance. This exploration extended to the nuances of her own likeness, and the subtle differences she shares with her identical twin [1].

The creation of the sculpture allowed the artist to analyze her features from a distance—a perspective often lost in the mirror. This artistic shift from the auditory to the tactile provides a glimpse into the singer's internal dialogue regarding her public persona and private self [1].

Laufey used the session to contemplate how her sense of beauty has evolved over time [1]. The resulting sculpture stands as a physical manifestation of that introspection, bridging the gap between how she is seen by the world and how she perceives herself.

“Laufey created a self-portrait sculpture of herself”

This project demonstrates a growing trend of multidisciplinary expression among modern musicians. By utilizing sculpture to explore identity and twin dynamics, Laufey is expanding her brand from a sonic experience to a visual and conceptual one, signaling a broader interest in how physical art can communicate personal narratives that music alone may not capture.