BLACKPINK star Lisa wore a Robert Wun couture dress featuring 3D-printed arms to the Met Gala on May 4, 2026 [1].
The appearance cements the singer's status as a global fashion powerhouse by blending high-tech fabrication with traditional couture. This intersection of art and attire aligns with the event's reputation for pushing the boundaries of wearable sculpture.
Lisa arrived at the Metropolitan Museum of Art in New York City wearing a white tented dress [2]. The garment featured a tented veil supported by 3D-printed arms, creating a structural silhouette that functioned as a piece of performance art [3]. To enhance the visual impact, the dress was embellished with thousands of Swarovski crystals [3].
Complementing the avant-garde Robert Wun piece, Lisa wore Bulgari jewelry [1]. The ensemble was designed to embody the concept that fashion is art, moving beyond simple clothing to create a bold visual statement [2].
The choice of a Robert Wun creation highlights a trend toward architectural fashion. By utilizing 3D-printing technology to support the veil, the dress achieved a level of rigidity and form that is difficult to replicate with fabric alone [3]. This integration of technology and luxury craftsmanship marks a shift in how couture is conceptualized for high-profile red carpets [4].
Observers said that the look channeled a goddess-like presence, combining the ethereal nature of the white fabric with the futuristic elements of the printed supports [4]. The combination of the tented structure and the crystal detailing ensured the look remained a focal point of the 2026 gala [2].
“The garment featured a tented veil supported by 3D-printed arms.”
Lisa's use of 3D-printed components at the Met Gala signals a growing convergence between additive manufacturing and haute couture. By partnering with Robert Wun, she demonstrates how technology can be used to create structural silhouettes that were previously impossible, further bridging the gap between fine art and commercial fashion.
