The Royal Shakespeare Company released a video detailing the creative and technical process used to build the set for its production of Henry V [1].
The release provides a rare glimpse into the intersection of artistic vision and structural engineering. By documenting the transition from conceptual sketches to a physical stage, the company highlights the specialized labor required to execute large-scale classical theater in a modern context.
The production is directed by Co-Artistic Director Tamara Harvey [1]. The visual environment was developed through a collaboration between Set and Costume Designer Lucy Osborne, Project Draughtsperson Emily Bates, and Head of Drawing Office Chris Pepler [1]. Together, these designers translated the requirements of the play into a tangible environment at the Royal Shakespeare Theatre in Stratford-upon-Avon [1].
Technical staff utilized a rigorous drawing and construction phase to ensure the set could support the movement and scale of the play. The process involved translating Osborne's initial designs into technical blueprints handled by Bates and Pepler, ensuring that the aesthetic goals aligned with the physical constraints of the venue [1].
Critical reception of the production has been positive, with the Financial Times awarding the show a four-star rating and describing it as "inspired" [1]. The production continues its run at the Royal Shakespeare Theatre until April 25, 2026 [1].
The video serves as both a promotional tool and an educational resource for those interested in the mechanics of stagecraft. It emphasizes the role of the drawing office in bridging the gap between a director's vision and the final physical product [1].
“The Financial Times awarded the show a four-star rating and describing it as "inspired"”
The transparency regarding the RSC's technical workflow reflects a broader trend in the performing arts to demystify the production process. By showcasing the specific roles of draughtspersons and drawing office heads, the company acknowledges that the 'magic' of theater is dependent on precise industrial design and architectural planning.




