Olympic gold-medal gymnast Suni Lee detailed the specific items she keeps in her greenroom during an appearance on the Rider Die show [1].
The revelation provides a rare look at the personal preferences and comfort requirements of one of the world's most decorated athletes. By sharing these details, Lee offers fans a glimpse into the private routines she maintains while traveling for professional engagements.
During the interview, Lee highlighted several key items that create a sense of familiarity in a studio environment. Among her most prized requests is a specific food item for comfort. "Chicken noodle soup is my favorite thing in the world," Lee said [1].
Beverage requirements are also a priority for the athlete. Lee maintains a significant supply of soda in her waiting area, specifically requesting two cases of Diet Coke [1].
Sensory details play a major role in Lee's environment to help her relax. She utilizes a candle that mimics the environment of her sport, noting that the candle smells just like home [1]. This scent is designed to evoke the smell of chalk dust, a staple in gymnastics training and competition.
In addition to the scents and snacks, Lee incorporates gold décor into her space. The combination of these items is intended to make the greenroom feel less like a temporary studio and more like a personal sanctuary.
The atmosphere of the interview remained lighthearted throughout the segment. At one point, the Rider Die host joked about the gymnast's athletic capabilities, saying, "Don’t make her mad. She might flip out" [1].
“"Chicken noodle soup is my favorite thing in the world."”
The disclosure of a 'rider'—the list of requests a performer makes for their dressing room—is a common practice for high-profile celebrities to manage stress and maintain performance levels. For an athlete like Lee, incorporating sensory triggers such as the scent of chalk dust suggests a psychological link between her professional environment and her personal comfort, helping her transition from the rigors of sport to the pressures of public appearances.
