Super Mario Galaxy movie earned $30 million in its third weekend, staying No. 1, while Lee Cronin’s The Mummy opened with $13 million. [2][2]

The performance matters because both titles illustrate how established brands and genre interest can dominate the spring box office, shaping distributor strategies and theater allocations for the rest of the year.

The Mario sequel pulled in $30 million over the weekend, a 56% decline from the prior week but still enough to keep it atop the chart. The drop—while steep, reflects typical third-week patterns for blockbuster sequels. Friday’s earnings were $7.4 million, indicating steady weekday traffic. [2][2]

Lee Cronin’s The Mummy, the horror-action entry from Universal, opened to $13 million, placing it second for the weekend. The modest figure underscores the film’s reliance on genre fans and the director’s growing reputation rather than mass-market appeal. [2]

In its second weekend, Super Mario Galaxy added $69 million from 4,284 theaters, expanding its domestic lead and bringing the total domestic gross to roughly $350.2 million as projected. [3][1]

Worldwide, reports differ on the two-week total. Yahoo cites $152.5 million, while AP lists a much higher $629 million. The disparity shows how different reporting windows and currency conversions can affect global tallies. Both numbers indicate the film’s strong overseas traction. [4][3]

Industry analysts project the Mario sequel will finish its domestic run near $350 million, a figure that would place it among the highest-grossing spring releases of the decade. The projection is based on current trends and theater counts. [1]

**What this means** The box office data highlights the continued clout of legacy video game adaptations and the ability of genre-specific titles to carve out profitable niches. Studios may prioritize sequels with built-in fanbases while still investing in mid-budget genre projects that can deliver steady returns.

Super Mario Galaxy remains the top-grossing film this weekend.

The strong domestic and international earnings of Super Mario Galaxy demonstrate that high-profile video game adaptations can sustain multi-week runs, while The Mummy shows that horror-action films still attract sizeable audiences, reinforcing a diversified release strategy for studios.