Yolanda Ramos joked that the scripts for La Sexta's program "Cara al Show" can either elevate or sink her during a recent broadcast [1].

The comments highlight the tension between scripted television formats and the improvisational nature of comedy, particularly following public criticism of the show's debut [1].

Ramos, a collaborator on the program, said she responded with irony to a joke made by guest Judith Martín regarding the scripts [1]. The exchange occurred on the Spanish television program, which is also available via the Atresplayer streaming service [1].

During the segment, Ramos addressed the influence of the written material on a performer's success. "Te pueden elevar o hundir, por eso yo ya me lo invento," Ramos said [1].

In English, she said that scripts can lift or sink a performer, which is why she now invents her own material [1]. This shift toward improvisation serves as a response to the pressures of the show's early reception and the specific dynamics of the production [1].

The interaction underscores the performer's desire for creative autonomy within a structured broadcast environment. By openly discussing the limitations of the provided scripts, Ramos shifted the narrative from the show's critical reception to her own comedic process [1].

"Te pueden elevar o hundir, por eso yo ya me lo invento"

This incident reflects a common conflict in variety television where the rigidity of a script may clash with the timing and instincts of professional comedians. By publicly acknowledging the potential for scripts to 'sink' a performer, Ramos is asserting the value of improvisational agency over corporate writing in maintaining comedic authenticity.